Mel Bentley organizes Housework reading series and co-edits with Jonathan Hamilton the journal Boneless Skinless. A chapbook of poems “Bucolic Eclogue” from a larger manuscript also called “Bucolic Eclogue” was released from Lamehouse Press in July 2016. Their chapbooks “Obstacle, Particle, Spectacle”, “&parts”, and “Stub Wilderness” were released from 89plus Luma Foundation, Damask Press and Well Greased Press, respectively. Vitrine released a tape of sounds labeled “Red Green Blue”. Poems have appeared in 491, Apiary, Bedfellows, BlazeVOX, Boog City, Elective Affinities, Fact-Simile, Gigantic Sequins, No Infinite, Maestra Vida, Magic Pictures, Painted Bride Quarterly, Small Po[r]tions, Stillwater Review, Tinge and Truck.
Scherezade Siobhan is an Indo-Rroma social scientist, community catalyst and hack scribbler of two poetry collections: Bone, Tongue (Thought Catalog Books, 2015) and Father, Husband (Salopress, 2016); and one poetry pamphlet, to dhikr, i (Pyramid Editions, Forthcoming in 2017). She is the creator and curator of The Mira Project, a global, cross-cultural dialogue which uses expressive art and storytelling to dismantle gendered violence and street harassment. Her work is featured or forthcoming in Feministing, Berfrois, Rattle, DIAGRAM, Queen Mob’s Teahouse, Word Riot among other digital and print publications, anthologies, exhibitions, art galleries and sometimes even in the bios of okcupid users. She is a Pushcart Prize and Best of the Net nominee for writing, the winner of Berfrois Poetry Prize for 2016-17 and can be found squeeing about militant bunnies at www.zaharaesque.com or @zaharaesque on twitter/fb.